There’s this thing people do in this industry, and I’ve always found it a little weird.
I understand wanting people to know you’re qualified to provide the service you’re selling. Credentials matter. Experience matters. But I also think there’s a line.
With anything you pay for, you should look at the value. What are you actually getting for your money?
I have my résumé posted. My experience and credentials are on my website. I make myself available for questions. What I don’t want to do is inflate any of that to convince someone that I have some secret method they can only get from me.
Because this is just my opinion, but I don’t think anyone can actually teach you how to act.
Someone can help you understand a scene. They can help you find the beats, make stronger choices, bring more life to a character, and become more comfortable performing for the camera. But eventually, it comes down to confidence and practice.
Most people can watch a scene and tell when something feels real. You know when an actor is connected to the character and when they’re not. You know when two actors are actually listening to each other and when they’re simply waiting to say their next line.
The more scenes you work on, the better you get at breaking them down. You start recognizing beat changes. You make stronger choices. You stop overthinking everything. And, most importantly, you watch yourself on camera. I think that’s one of the best ways an actor can improve.
The camera sees everything. Tiny movements suddenly look huge. Excessive blinking becomes noticeable. I blink a lot. Lol. I’m working on that. You start seeing habits you didn’t even know you had. And one of the biggest things you’ll notice is whether you’re actually connected to the other actor. If you’re not, the audience sees it immediately.
You can also learn a surprising amount with nothing more than your phone. Set it up. Find your frame. Perform a scene without drifting out of it. Watch it back. Adjust. Do it again. But the best experience will always be actually working on a set.
A classroom can prepare you, but it can’t completely recreate that environment. Sets change. Directors change. Crews change. The actor standing across from you may be someone you’ve never met before. The more you’ve practiced, the more comfortable you become adapting to all of it.
It’s like riding a bike. A mountain bike, road bike, and racing bike are all different. But the basic mechanics are still the same: two wheels, pedals, balance, and forward movement. Film sets are similar.
Every set is different, but the fundamentals are still there. There’s a camera. There’s a scene. There are other actors. And there’s you, trying to live truthfully inside whatever environment you’ve been dropped into. The more prepared you are and the more you practice, the easier it becomes to adapt.
Eventually, you stop thinking so much about riding the bike.
You just ride. Thanks for reading. Interested in hearing more? Click here or call me.